Fifteen more corridos (narrative songs) from the ‘Godfather’ of the genre. Backed by the accordion and polka rhythms of a...
Reviewed by Mark Sampson in issue: January/2025
Chromesthesia: The Colour of Sound Vol 1, curated by British-Egyptian historian Hannah Elsisi, is a powerful compilation showcasing Afro-descendant electronic...
Reviewed by Lucy Hallam in issue: January/2025
With his fourth solo album for the Swedish label, the Afro-Brazilian minstrel from Salvador reinforces a decade-long recording relationship and...
Reviewed by Mark Sampson in issue: November/2024
Since co-founding the much-acclaimed Old Crow Medicine Show, Willie Watson has spent around a quarter of a century as an...
Reviewed by Nigel Williamson in issue: November/2024
Having made a name for himself in the hip-hop trio Johnny Cradle, this latest release shows Qü venturing forward as...
Reviewed by Tom Spargo in issue: December/2024
Grammy-winning Quetzal Flores likes ‘working with talented people,’ so answered the call of this author, educator and member of Latinx...
Reviewed by Mark Sampson in issue: December/2024
Formed in Denmark in 2022, the quartet of guitarists Alain Apaloo and Olav Poulsen, harmonica player Peter Nande and percussionist...
Reviewed by Nigel Williamson in issue: December/2024
Having performed as a sideman with a myriad of world-class South Asian and Western artists, percussion virtuoso Giridhar Udupa releases...
Reviewed by Charlie Cawood in issue: February/March/2025
‘Curyman’, the opening track of Rogê’s (Roger José Cury) follow-up, revisits the final, brief ‘O Vento’ from 2023’s Curyman (reviewed...
Reviewed by Mark Sampson in issue: February/March/2025
The Bongo Hop are the brainchild of France-based Etienne Sevet, who could be considered part of the new tropical revivalists,...
Reviewed by Andy Cumming in issue: February/March/2025
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