Reviews
Rûwâhîne
Perched somewhere between the industrial-noise soundscapes of Throbbing Gristle, grungy club beats and a fairly obscure Saharan healing ritual of...
Reviewed by Tim Cumming in issue: July/2017
Fretless
Soumik Datta is Britain’s brilliant young sarod (lute) star. He gave a stunning concert supporting Shivkumar Sharma at the Darbar...
Reviewed by Simon Broughton in issue: Jan/Feb/2011
Anthologie du Patrimoine Phonographique Breton 1925-1960
This is a tribute to a forgotten pioneer of the post-war rebirth of Breton music: Hermann Wolf, who made some...
Reviewed by Andrew Mcgregor in issue: December/2017
Rise
A music teacher and luthier, as well as a songwriter based in Portsmouth and with roots in Merthyr, South Wales,...
Reviewed by Tim Cumming in issue: November/2022
Beginners Guide To African Blues
This isn't the place to debate the African origins of the blues. All we really need note is that modern...
Reviewed by Nigel Williamson in issue: July/2011
Such Times
Steve Tilston made his first album, An Acoustic Confusion, in 1971, gaining a place in a cohort of exceptional guitar-playing...
Reviewed by Julian May in issue: April/2021
A Great Day For The Race
Flap! (yes, the exclamation mark is part of the band name) hail from Melbourne and were discovered by Marcus Britton...
Reviewed by Garth Cartwright in issue: Nov/Dec/2012
Hickory
There’s no denying that this album gets off to a flying start. The first two rollicking tunes fly along, sounding...
Reviewed by Matthew Milton in issue: Aug/Sep/2012
Ao Longe Já Se Ouvia
Formed in Oporto in 2012, Sopa de Pedra is a ten-woman a capella group who take their name from a...
Reviewed by Michael Macaroon in issue: April/2018
Invite
The Trio Chemirani is made up of a father and two brothers – all Iranian percussionists – based in France....
Reviewed by Simon Broughton in issue: October/2011
