Opener ‘Leyli’s Garden’, heralded by a breathy flourish on the ney, is a personal and heartfelt homage to Vahdat’s late...
Reviewed by Simon Broughton in issue: October/2022
Unfortunately I haven’t yet seen the Polish drama documentary Cabaret of Death, which won a Prix Italia last year. Directed...
Reviewed by Simon Broughton in issue: March/2016
Vigüela is a Toledo-based outfit of singers, guitarists and players of castanets, tambourines, shearing scissors, cowbells, sieves, the lute-like bandurria,...
Reviewed by Chris Moss in issue: Aug/Sep/2016
Mostar Sevdah Reunion are a Bosnian institution. Emerging out of the ruins of war-torn Bosnia in 1998, tending the traditions...
Reviewed by Robert Rigney in issue: March/2023
Haci Tekbilek is a gruff vocalist and a fine performer on several Turkish instruments, including saz, sax, bendir drum and,...
Reviewed by Simon Broughton in issue: October/2010
Recorded live in studios in Lagos and London by a sprawling Afrobeat band led by bassist and vocalist Femi Sofela,...
Reviewed by Nigel Williamson in issue: March/2018
Fifty years after his debut LP, Christ Moore's latest solo offering sees the Irish icon trawling though his live back...
Reviewed by Michael Quinn in issue: March/2020
Once fishermen and farmers on the rich alluvial banks of the Zambezi, the Batonga were driven at gun¬point from their...
Reviewed by Tom Bullough in issue: March/2010
The Skatalites' brief original existence from 1963 to 1965 surely marks them out as one of the most influential bands...
Reviewed by Garth Cartwright in issue: October/2017
The folk music revival in Hungary, and the dance house scene that was its driving force, are now nigh-on half...
Reviewed by Kim Burton in issue: Aug/Sep/2016
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