Widely regarded as one of the UK’s finest flatpicking guitarists, Charlotte Carrivick offers up a dozen tasty instrumental tracks on...
Reviewed by Doug Deloach in issue: February/March/2025
A decade after forming for a one-off concert at the 2014 Vieilles Charrues Festival, The Celtic Social Club marks a...
Reviewed by Peter Quinn in issue: February/March/2025
Beth Malcolm’s follow-up to her 2023 debut album, Kissed and Cried, presents a delightful musical triptych that takes the listener...
Reviewed by Peter Quinn in issue: February/March/2025
The title is simple – Folk Tunes for Double Bass – but the concept is not. For solo double bass…...
Reviewed by Fiona Talkington in issue: February/March/2025
In name, Z’amalgame suggests a coming-together, a melding of components and forces into a new, fortified whole. This Réunionese album,...
Reviewed by Celeste Cantor-Stephens in issue: February/March/2025
Recorded with analog equipment in the OTODI studio in Lomé, Vaudou Game’s fifth album takes Togolese sounds to new and...
Reviewed by Charlotte Algar in issue: April/2025
The border town of Kars in the far north-east of Turkey holds a special allure in the Turkish imagination. The...
Reviewed by Nathaniel Handy in issue: April/2025
This is at least the sixth album to feature the irresistible rhythms of Afrobeat pioneer Tony Allen since his death...
Reviewed by Nigel Williamson in issue: April/2025
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