The folk duo’s fourth album, In the Dark We Grow, steers away from the compelling introspective spareness of 2022’s Ink...
Reviewed by Tim Cumming in issue: December/2024
Don’t let their slick, suited aesthetic fool you, Ugandan drum ensemble Arsenal Mikebe are serving up a sonic onslaught of...
Reviewed by Olivia Cheves in issue: December/2024
Yasmin Williams’ Nonesuch Records debut features the acoustic fingerstyle/lap-tapping guitarist in a variety of solo and ensemble settings across nine...
Reviewed by Doug Deloach in issue: November/2024
Recorded at home to her finger-picking accompaniment in Wimbledon in 1966 and 1967 – Denny's performing debut was at Kingston's...
Reviewed by Tim Cumming in issue: November/2024
The ancient world and the turbulent present collide to great effect on this, the second LP from the Greek woodwind...
Reviewed by Justin Turford in issue: November/2024
Since her 1980s debut, New Zealand Māori singer Moana Maniapoto has remained at the forefront of Aotearoa’s Indigenous music scene,...
Reviewed by Seth Jordan in issue: January/2025
Though this is not his first studio album release, Te Whare Tīwekaweka sees acclaimed Aotearoa artist Marlon Williams step foot...
Reviewed by Sosefina Fuamoli in issue: May/2025
There were two main protagonists in the evolution of Congolese popular music in the 1960s: Joseph Kabasele (alias Grand Kallé),...
Reviewed by Nigel Williamson in issue: August/2025
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