Reviews
FOLKMOSIS
Beth Malcolm’s follow-up to her 2023 debut album, Kissed and Cried, presents a delightful musical triptych that takes the listener...
Reviewed by Peter Quinn in issue: February/March/2025
Slåtter på Kontrabass
The title is simple – Folk Tunes for Double Bass – but the concept is not. For solo double bass…...
Reviewed by Fiona Talkington in issue: February/March/2025
Z’amalgame
In name, Z’amalgame suggests a coming-together, a melding of components and forces into a new, fortified whole. This Réunionese album,...
Reviewed by Celeste Cantor-Stephens in issue: February/March/2025
Fintou
Recorded with analog equipment in the OTODI studio in Lomé, Vaudou Game’s fifth album takes Togolese sounds to new and...
Reviewed by Charlotte Algar in issue: April/2025
Doğu Ekspresi
The border town of Kars in the far north-east of Turkey holds a special allure in the Turkish imagination. The...
Reviewed by Nathaniel Handy in issue: April/2025
La BOA Meets Tony Allen
This is at least the sixth album to feature the irresistible rhythms of Afrobeat pioneer Tony Allen since his death...
Reviewed by Nigel Williamson in issue: April/2025
Solstice Concert
Fabiano do Nascimento | Fabiano Do Nascimento
Raised in Rio and São Paulo, the now LA-based acoustic guitarist has had a busy time recently, with albums for...
Reviewed by Mark Sampson in issue: April/2025
És Pregunta
It may be accurate to describe Tarta Relena as a Catalan vocal duo, but that description does little justice to...
Reviewed by Jo Setters in issue: April/2025
