Reviews
Prisoner
There have been many fine reggae artists to come out of Africa since Bob Marley played in Zimbabwe in 1980...
Reviewed by Nigel Williamson in issue: January/2025
Sababu
Five years ago, the Burkina Faso-born kamelengoni master Aboubakar Traoré and his group Balima released a splendid debut album titled...
Reviewed by Nigel Williamson in issue: January/2025
Asas Terrenas
Sarine is Mariano Melo, a Brazilian multi-instrumentalist based in São Paulo. Melo is known for his drumming with DEAFKIDS, purveyors...
Reviewed by Andy Cumming in issue: January/2025
I’m Glad About It: The Legacy of Gospel Music in Louisville, 1958-1981
According to contributing singer Bessie Leavell Palmer, ‘gospel music is written out of the depths of somebody’s soul.’ Well, this...
Reviewed by Mark Sampson in issue: January/2025
Klezmer, Niguns & Co
Clarinettist Nano Peylet and pianist Denis Cuniot formed their duo in 1983 in their native France and have been playing...
Reviewed by Tom Newell in issue: January/2025
Ville Veier
Erlend Viken Trio’s latest album, Ville Veier (Wild Ways), marks a dynamic return. Known for their improvisational flair rooted in...
Reviewed by Buzz Bury in issue: January/2025
Al-Bahr
There’s so much going on with Finnish trio Wishamalii’s debut album that it almost invents a whole new genre of...
Reviewed by Daniel Spicer in issue: January/2025
Onye Rie Ibe Ya Erie
Oriental Brothers International Band
Formed in Eastern Nigeria as an Igbo highlife band shortly after the Nigerian-Biafran War, the Oriental Brothers have undergone numerous...
Reviewed by Nigel Williamson in issue: February/March/2025
Sensible or Otherwise
Widely regarded as one of the UK’s finest flatpicking guitarists, Charlotte Carrivick offers up a dozen tasty instrumental tracks on...
Reviewed by Doug Deloach in issue: February/March/2025
Inventory
A decade after forming for a one-off concert at the 2014 Vieilles Charrues Festival, The Celtic Social Club marks a...
Reviewed by Peter Quinn in issue: February/March/2025
