Ellie Wilson is an explorer of the contemporary classical, folk and electronica worlds, and her new album, Memory Islands, documents...
Reviewed by Buzz Bury in issue: March/2024
This feast for axe freaks captures the live debut of a new supergroup assembled by Brussels-based multi-instrumentalist and sound sculptor...
Reviewed by Spencer Grady in issue: March/2024
Sunny Kim, Vardan Ovsepian & Ben Monder
Now here’s an album that defies easy categorisation, in which Sunny Kim, a Korean-born singer, improviser and composer joins forces...
Reviewed by Robin Denselow in issue: March/2024
Diepkloof and its neighbour, Meadowlands, were created as new zones in Soweto in the late 50s to accommodate those forcibly...
Reviewed by Nigel Williamson in issue: December/2023
This album acts as a sequel to Ifriqiyya Electrique’s recordings on Glitterbeat (2017-2019), which involved a collab between Putan Club...
Reviewed by Martin Longley in issue: December/2023
Los York’s | Melcochita y Su Conjunto
Two very different but equally enjoyable reissues from the Munster umbrella of labels, both dating to late-60s Peru. First up,...
Reviewed by Chris Wheatley in issue: December/2023
The title of the Swedish label’s latest Brazilian release translates as Big Deal! This self-effacing singer-songwriter has waited till age...
Reviewed by Mark Sampson in issue: January/February/2024
Yosef-Gutman Levitt & Omri Mor
Having only recently reviewed Levitt’s Soul Song (in #190) I was surprised and delighted to see he’d released a second...
Reviewed by Tony Gillam in issue: January/February/2024
Lullabies – cradle songs – a term derived from the middle English ‘lullen’ (lull) and ‘bye’ (near), and, much further...
Reviewed by Tim Cumming in issue: January/February/2024
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