Junnosuke Uehara, Washu Yoneya & Kisaburo Umeya
Matsuri bayashi, the celebratory festival music of Japanese prefectures, provides the core for this album, albeit reimagined for a contemporary...
Reviewed by Keith Howard in issue: December/2023
Afrobeat creeps into so many heterogeneous mixes today that it’s refreshing to hear an unadulterated version. Conceived during the destabilising...
Reviewed by Mark Sampson in issue: December/2023
This collab between Beijing-based label bié and Latin America-focused label Shika Shika is an energising alternative to the well worn...
Reviewed by Liam Izod in issue: December/2023
Although he now lives in the Istanbul district of Gazi Mahallesi, an area popular with Alevi Kurds, Kiği is the...
Reviewed by Simon Broughton in issue: November/2023
The free reed bamboo mouth organ, the khaen or khene, is the iconic musical instrument of Laotians living in Isan...
Reviewed by John Clewley in issue: April/2024
Fusing Scottish jigs and reels with influences from jazz, pop and techno, Peatbog Faeries’ music is often described as ‘high-octane.’...
Reviewed by Tony Gillam in issue: December/2023
Enrique Roberto Tellería was a wild non-conformist in 1960s Peru which sought to sanitise foreign youth music. His rare debut...
Reviewed by Mark Sampson in issue: November/2024
Breton sonneur Keravec has long taken the bagpipes into new territories; no mean feat for an instrument so ancient. Early...
Reviewed by Michael Quinn in issue: November/2024
Long based in France, trumpeter Ibrahim Maalouf was born in Lebanon and this is a tribute to his roots and...
Reviewed by Simon Broughton in issue: November/2024
Loy Ehrlich was one multi-instrumental third of France’s esteemed Hadouk Trio, whose co-founder and fellow ex-Gong member, Didier Malherbe, guests...
Reviewed by Mark Sampson in issue: November/2024
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