Here’s an easy-going fusion set, in which a Swedish jazz flautist teams up with a Malian ngoni player for a...
Reviewed by Robin Denselow in issue: January/2025
Majid Bekkas, as well as being central to the revival of Moroccan Gnawa music, is restless in his exploration of...
Reviewed by Jo Setters in issue: January/2025
When eight talented and open-minded young musicians from across the world come together to experience each other’s music and discover...
Reviewed by Jim Hickson in issue: January/2025
This is meditative music, created by a group of Japanese and Japan-based musicians playing Japanese, Chinese, Indian, Korean, and Mongolian...
Reviewed by Keith Howard in issue:
Whatever/Whoever is the translation of Jaubi (pronounced jaw-bee) and ‘whatever sounds good’ is the band’s guiding principle. The Pakistani jazz...
Reviewed by Tom Newell in issue: November/2024
Sudeshna Bhattacharya & Mosin Khan Kawa
Norway-based Sudeshna Bhattacharya is one of very few female sarod players, having begun training aged just eight, initially with her...
Reviewed by Jameela Siddiqi in issue: June/2025
This Ghanaian group’s debut is a fresh collection of highlife jams. Guitar lines unwind through the compositions like a labyrinthine...
Reviewed by Liam Izod in issue: July/2025
Gasper Nali’s third album arrives six years after the previous Zoona Malawi and continues his singular musical journey from the...
Reviewed by Alexandra Petropoulos in issue: July/2025
Founded by the late South African singer-songwriter Khusi Seremane and US producer and musician Gabriel Cyr, Thaba includes musicians from...
Reviewed by Robin Denselow in issue: July/2025
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