Reviews
Melodies of Light
Yosef-Gutman Levitt & Omri Mor
Having only recently reviewed Levitt’s Soul Song (in #190) I was surprised and delighted to see he’d released a second...
Reviewed by Tony Gillam in issue: January/February/2024
Lullabies
Lullabies – cradle songs – a term derived from the middle English ‘lullen’ (lull) and ‘bye’ (near), and, much further...
Reviewed by Tim Cumming in issue: January/February/2024
Japanese Celebration Melodies
Junnosuke Uehara, Washu Yoneya & Kisaburo Umeya
Matsuri bayashi, the celebratory festival music of Japanese prefectures, provides the core for this album, albeit reimagined for a contemporary...
Reviewed by Keith Howard in issue: December/2023
Take to the Streets
Afrobeat creeps into so many heterogeneous mixes today that it’s refreshing to hear an unadulterated version. Conceived during the destabilising...
Reviewed by Mark Sampson in issue: December/2023
bié Records meets Shika Shika
This collab between Beijing-based label bié and Latin America-focused label Shika Shika is an energising alternative to the well worn...
Reviewed by Liam Izod in issue: December/2023
Kiği
Although he now lives in the Istanbul district of Gazi Mahallesi, an area popular with Alevi Kurds, Kiği is the...
Reviewed by Simon Broughton in issue: November/2023
Master of Bamboo Mouth Organ
The free reed bamboo mouth organ, the khaen or khene, is the iconic musical instrument of Laotians living in Isan...
Reviewed by John Clewley in issue: April/2024
I See a World
Fusing Scottish jigs and reels with influences from jazz, pop and techno, Peatbog Faeries’ music is often described as ‘high-octane.’...
Reviewed by Tony Gillam in issue: December/2023
Tengo un Mustang
Enrique Roberto Tellería was a wild non-conformist in 1960s Peru which sought to sanitise foreign youth music. His rare debut...
Reviewed by Mark Sampson in issue: November/2024
