Many albums are ballyhooed for their ‘historic’ significance. Most are truly significant only as gap-fillers on the shelves of completist...
Reviewed by Doug Deloach in issue: June/2024
When one hears of a duo comprised of Portuguese guitar and classical guitar, fado understandably pops into mind. But although...
Reviewed by GonÇalo Frota in issue: June/2024
Anning is an Australian bassist-composer who studied in New York, before performing alongside such legendary jazz players as saxophonist Joe...
Reviewed by Seth Jordan in issue: July/2024
Hailing from the remote Nhulunbuy region in northeast Arnhem Land, bandleader Andrew Minyapa Gurruwiwi is also a popular broadcaster on...
Reviewed by Seth Jordan in issue: August/2024
Since their eponymous debut in 2017, French electric jazz quartet Peemaï, from Montpellier, have rearranged Asian traditional tunes, following bassist...
Reviewed by Jean Berry in issue: September/2024
Ukandanz began as a four-piece rock group based in France, but they have really carved out a unique sound for...
Reviewed by Tom Spargo in issue: June/2025
Music scenes are strange things, ephemeral and unpredictable. The right confluence of history, politics, culture, migrations, community, geography, trends, hard...
Reviewed by Jim Hickson in issue: June/2025
The title is a translation of The Black Atlantic, Paul Gilroy’s celebrated book which examines the continuities in Black diasporic...
Reviewed by Andy Cumming in issue: June/2025
With so many musical influences from all over the world, it’s hard to know where to start with this four-piece...
Reviewed by Mark Sampson in issue: June/2025
Anne-Mari Kivimäki | Anne-Mari Kivimäki & Palomylly
Recorded across Finland, Estonia and Iceland, Kotiin (Homeward) blends Kivimäki’s hypnotic accordion with regional instruments such as the kantele (zither)...
Reviewed by Mateusz Dobrowolski in issue: June/2025
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