Reviews
Abundância
To celebrate the 40th anniversary of her career, Portuguese singer Maria João is releasing one of her boldest records to...
Reviewed by GonÇalo Frota in issue: May/2025
The Edinburgh Rollick
NYC-based Ruckus – described as “the world’s only period-instrument rock band” – have joined forces with violinist, composer and musicologist...
Reviewed by Tom Newell in issue: May/2025
Ponda
With Ponda, Cameroonian pianist and singer Patrick Bebey delivers a record that seamlessly fuses jazz, African tradition and Western folk...
Reviewed by Andrew Taylor-Dawson in issue: February/March/2025
Moda Antiga
On this, her third album, the Cape Verdean singer hailed as a worthy successor to the great Cesária Évora focuses...
Reviewed by Tom Newell in issue: February/March/2025
Héritage
A decade on from Songhoy Blues’ explosive debut Music in Exile, it’s probably time to stop calling the band from...
Reviewed by Nigel Williamson in issue: February/March/2025
Salt River
Recorded by Sam Amidon (guitar, fiddle), Sam Gendel (saxophone, synthesizer) and Philippe Melanson (percussion) in Gendel’s Los Angeles home studio,...
Reviewed by Doug Deloach in issue: February/March/2025
Ray and His Court
The Ray in question is organist Ray Fernandez, and his Miami-based Court include his wife and two sons, along with...
Reviewed by Mark Sampson in issue: February/March/2025
Cold Blows the Rain
Bridget Hayden and The Apparitions
This is a good period for ethereal and weird folk and traditional music, with acts like Milkweed seeing their idiosyncratic...
Reviewed by Glenn Kimpton in issue: February/March/2025
AKKOR
Best known as the lead singer of the Turkish retro psychedelic rockers BaBa ZuLa, Melike Şahin has now set out...
Reviewed by Nathaniel Handy in issue: February/March/2025
