Like the Carolina Chocolate Drops, the Canadian trio of Sheesham Crow on fiddle and harmonica, Lotus Wight, on banjo and...
Reviewed by Nigel Williamson in issue: April/2016
Majid Bekkas is a Moroccan multi-instrumentalist who has previously explored the meeting points between Maghrebi Gnawa music and the blues....
Reviewed by Bill Badley in issue: July/2014
There’s a fine line between music that’s tight and that which is so polished it has lost its soul. For...
Reviewed by Olivia Haughton in issue: Apr/May/2013
When is a duo not a duo? When it sounds like a chorus. Okay, as a joke it perhaps doesn’t...
Reviewed by Sophie Parkes in issue: January/February/2022
Dedicated to his son Sam, who died in a tragic car accident, the Zimbabwean veteran’s latest album opens with the...
Reviewed by Nigel Williamson in issue: June/2013
The Angolan legend José Adelino Barceló de Carvalho, aka Bonga, turns 80 this year and his latest album is released...
Reviewed by Nigel Williamson in issue: June/2022
Ocora's long history of field recordings has played an important role in the documentation of musical traditions from around the...
Reviewed by Fiona Talkington in issue: November/2015
Peruvian percussionist Manongo Mujica has always been partial to experimentation, as was clear in his work with the influential jazz...
Reviewed by Russ Slater in issue: August/September/2022
Prince Fatty Meets Nostalgia 77
Having paid his producer's dues from acid jazz groups through to Gregory Isaacs and the Sugarhill Gang, Mike Pelanconi's alter-ego...
Reviewed by Michael Brown in issue: Nov/Dec/2014
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