Reviews
Nasim-e Sahar
Bahareh Fayazi & Asareh Shekarchi
Nasim-e Sahar, featuring the duo of Bahareh Fayazi on tar and Asareh Shekarchi on tombak and avaz (Iranian classical singing),...
Reviewed by Charlie Cawood in issue: May/2024
BRSB
Bacao pan out of Hamburg, lending a Caribbean touch to rap hits, although some of these covers are somewhat mainstream...
Reviewed by Martin Longley in issue: May/2024
Cold Sea
Cold Sea is the first solo release from Oisin Leech, who may be more familiar as one half of Irish...
Reviewed by Billy Rough in issue: June/2024
Skin
Engaging folk with contemporary issues Maddie Morris’ debut full-length album, Skin, is an insightful listen. A deeply socially conscious songwriter,...
Reviewed by Billy Rough in issue: June/2024
Jolifanto
For all its depth of tradition, flamenco has always been moved by innovation. In 1979 Camarón de le Isla’s La...
Reviewed by Jo Setters in issue: June/2024
Merengue Típico: Nueva Generación!
These ten vintage 45 rpm rompers, most around three to four minutes long, are from the late 60s and early...
Reviewed by Martin Longley in issue: April/2024
Earthcycle
This third ‘mixtape album’ from Orchestra of the Swan continues the classical ensemble’s adventures into bending and breaking genre boundaries....
Reviewed by Michael Quinn in issue: April/2024
Ginga
The fifth album by Brazilian singer-songwriter Flavia Coelho is brimming with uplifting, catchy melodies, which have become her signature appeal....
Reviewed by Huw Hennessy in issue: July/2024
Pine Tree Flyers
The Pine Tree Flyers’ full-length debut album proudly waves the banner of New England (US) roots music. Fundamentally, this fiddle-based...
Reviewed by Doug Deloach in issue: July/2024
Pulled by the Stars
‘Clash Vooar’ is Manx for Big Groove, and the band’s second album includes a batch of sturdy grooves, along with...
Reviewed by Robin Denselow in issue: July/2024
