If you were a music fan in Nairobi back in the 70s, you would almost certainly have spent time at...
Reviewed by Robin Denselow in issue: December/2024
Show Dem Camp, The Cavemen, Nsikak David
Two of Lagos’ most talented duos, The Cavemen and Show Dem Camp, speak to the dating scene in the nation’s...
Reviewed by Erin Cobby in issue: December/2024
It wasn’t until Nyege Nyege Tapes shared the fruits of their deep dive into the radio recordings of Langi griot...
Reviewed by Alexandra Petropoulos in issue: December/2024
Since his first recordings in 2009 Thiago França has covered a remarkable variety of genres, from the Afro-jazz-punk of MetaL...
Reviewed by Andy Cumming in issue: December/2024
Tennessee singer, guitarist, banjo player and songwriter Amythyst Kiah has come a long way from her early roots singing Appalachian...
Reviewed by Devon Léger in issue: December/2024
Joel Lyssarides & Georgios Prokopiou
I’ve encountered the bouzouki in a number of different contexts: rebetika, laïko, Irish traditional music and various eastern-Mediterranean crossover ensembles,...
Reviewed by Maria Lord in issue: December/2024
Tibetan musician and composer Tenzin Choegyal has been in exile from his home country since the 1970s and based in...
Reviewed by Michael Ormiston in issue: December/2024
A notable exponent of the fertile Spanish jazz scene, Daniel García delivers a lively piano record that pushes the boundaries...
Reviewed by Andrew Taylor-Dawson in issue: December/2024
It could be said that The Rhizome Project is Vermont-based Moira Smiley’s ode to roots music. But the metaphorical rhizome...
Reviewed by Jeff Kaliss in issue: December/2024
Bergamini may come from an academic background but he has played percussion alongside a wide range of Brazilian artists, from...
Reviewed by Andy Cumming in issue: May/2025
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