The ninth studio album from the blind Malian duo opens with ‘Bofou Safou’, a disco-fied electro-pop excursion that you'd be...
Reviewed by Nigel Williamson in issue: November/2017
I first saw – sorry, heard – an audio film in a small village in the Pyrenees. It was about...
Reviewed by Chris Moss in issue: March/2010
Ballaké Sissoko, Vincent Segal, Émile Parisien, Vincent Peirani
One has come to expect excellence and refinement from Ballaké Sissoko and Vincent Segal. The Malian-French duo explore a unique...
Reviewed by Daniel Brown in issue: May/2023
What exactly does Arabic Café mean? The liner notes to this CD explain that, in contrast to the clinical coffeehouse...
Reviewed by Bill Badley in issue: Apr/May/2014
It is constantly amazing how many old-time bands are around today. From gutter punks busking on the streets of New...
Reviewed by Garth Cartwright in issue: Nov/Dec/2013
Longtime band members Josh Shilling (guitar, piano and vocals) and Aaron Ramsey (mandolin, bass, vocals) have invited a few guests...
Reviewed by Doug Deloach in issue: October/2016
The seventh in Topic's Introducing series, this a welcome survey of John Tams' solo work alongside two prime cuts from...
Reviewed by Tim Cumming in issue: Aug/Sep/2018
Few countries’ musical heritage has been pilfered so thoroughly as has Ethiopia’s in recent years. Rarely a month goes by...
Reviewed by John Howarth in issue: Nov/Dec/2012
This London-based octet, led by violinist Caroline Pearsall, play for TV shows, dance events and workshops. Unsurprisingly perhaps, the group...
Reviewed by Chris Moss in issue: April/2022
Named after her home village on Lewis in the Western Isles, Griais is Mackenzie’s first solo album. It’s a bright...
Reviewed by Billy Rough in issue: Nov/Dec/2012
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