Tango and flamenco have elemental, thematic, tonal and rhythmic differences due to their entirely separate, and exceptional, cultural histories. On...
Reviewed by Chris Moss in issue: Jan/Feb/2012
On this album of gentle dinner jazz crooning, Joyce gathers together a selection of session musician stalwarts who include many...
Reviewed by Alex Robinson in issue: March/2011
The compilation market is over-crowded; genuinely valid albums offering anything new are so rare that it is hard to suppress...
Reviewed by Nigel Williamson in issue: Jan/Feb/2015
Rachid Taha's first album in four years is not quite in the same bracket as Muhammad Ali's retrieval of the...
Reviewed by Nige Tassell in issue: June/2013
Cándido Fabré has proved himself time and again to be one of Cuba's best living soneros. He first attracted...
Reviewed by Jane Cornwell in issue: Jan/Feb/2017
From Dub Colossus through to the Imperial Tiger Orchestra, British and European bands have understandably been fascinated by Ethiopian music...
Reviewed by Robin Denselow in issue: March/2019
The outstanding ten minutes of ‘The Wild Rover’ dominates this third album from Ireland's most significant band. Drawing on the...
Reviewed by Tim Cumming in issue: Jan/Feb/2020
In the early days of popular recording, blues and gospel marched hand in hand – God’s music and the devil’s...
Reviewed by Nigel Williamson in issue: October/2020
Years in development, this fine recording is the result of white South African musician Derek Gripper having transposed seven kora...
Reviewed by Nigel Williamson in issue: Apr/May/2013
Violinist Jake Shulman-Ment is part of the new generation of American klezmer musicians; A Wheel is the product of his...
Reviewed by Tom Newell in issue: October/2012
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