Reviews
Toda un Alegría
It's very difficult to pigeonhole the music of Barcelona's Adriano Galante, although ‘understated Hispanophone quietism with a very distant nod...
Reviewed by Kim Burton in issue: October/2023
Shorelines
Shorelines, the fifth solo album from the Irish multi-instrumentalist is an exciting, inspiring and thoroughly enchanting listen. A collection of...
Reviewed by Billy Rough in issue: October/2023
Timba a la Americana
No messing around for Harold López-Nussa; it's all courses served at once with ‘Funky’, an irrepressible display of groove and...
Reviewed by Tom Newell in issue: October/2023
Avant L’Équinoxe
This Franco-Brazilian quartet is the product of a friendship forged online between France's Sophie Magnani (singer) and multi-instrumentalist Hervé Morisot,...
Reviewed by Mark Sampson in issue: October/2023
Some Mississippi Sunday Morning
Ever since the Lomaxes discovered Lead Belly in the Louisiana State Penitentiary in 1933, prison has earnt itself a vaunted...
Reviewed by Nigel Williamson in issue: October/2023
Hommage a Zanzibar
Awesome Tapes from Africa once again breathe new life into an album that was almost lost to time with their...
Reviewed by Alexandra Petropoulos in issue: October/2023
Eyoun el Alb
Born in 1938 in Cairo, Nagat El-Saghira made her first public performance at the age of seven – her diminutive...
Reviewed by Charlie Cawood in issue: October/2023
Echoes from a Faded Past
What do you get when you cross a Swedish guitarist, a Danish cellist and composer, a Jordanian singer, oud player...
Reviewed by Nigel Williamson in issue: October/2023
Music for Shepherds and Sultans
Michalis Kouloumis, Tristan Driessens, Miriam Encinas
The ensemble here is violin (Michalis Kouloumis), oud (Tristan Driessens) and frame drums (Miriam Encinas), and the idea is to...
Reviewed by Simon Broughton in issue: October/2023
