Calle Mambo are a five-piece band that combine traditional Chilean instrumentation with synthesizers and modern flourishes to create a hybrid...
Reviewed by Chris Wheatley in issue: August/2025
Jason Dea West & The Siskiyou Crest
Boasting a backstory that includes younger days as a busker and freight train hopper, as well as working the circus...
Reviewed by Kevin Bourke in issue: August/2025
Gamelan Salukat x Jan Kadereit
There’s something transcendental about this time-bending collaboration between Copenhagen-based composer Jan Kadereit and Balinese gamelan orchestra Salukat. For those unfamiliar...
Reviewed by Tom Newell in issue: August/2025
Long in the making, US rock producer Ralph Sall’s Mighty Rootsmen project sees ten evergreen rock and pop standards reimagined...
Reviewed by Charles De Ledesma in issue: August/2025
Founded in the early 1990s in Leeds, Iration Steppas is the creative brainchild of Mark Iration and one of the...
Reviewed by Andrew Taylor-Dawson in issue: August/2025
Love – or rather, ‘LUV’ – is the operative word and it’s hard not to be enchanted (or occasionally irritated)...
Reviewed by Mark Sampson in issue: August/2025
Growing up in Germany as part of the Turkish diaspora, Ozan Ata Canani began playing the bağlama and writing songs...
Reviewed by Daniel Spicer in issue: August/2025
Bonifica Emiliana Veneta return with a brand-new recording after nearly two decades. Quattro refers to both their fourth release and...
Reviewed by Ciro De Rosa in issue: August/2025
There were two main protagonists in the evolution of Congolese popular music in the 1960s: Joseph Kabasele (alias Grand Kallé),...
Reviewed by Nigel Williamson in issue: August/2025
Imagine an amalgam of traditional Irish folk, post-rock, jazz and the disruptive spirit of Dada, stir provocatively with nine musicians...
Reviewed by Tim Cumming in issue: August/2025
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