When Pachyman (Pachy García) left San Juan for Los Angeles back in the day, he carried a love of dub...
Reviewed by Max Reinhardt in issue: July/2025
Jeffery Broussard & The Nighttime Syndicate
From the second that Bayou Moonlight’s opening track, ‘Whatever’, hits you, it’s readily apparent that you’re in for a wild,...
Reviewed by Andrew Daly in issue: July/2025
Will Holshouser is an accordion player enjoying an eclectic career in New York, playing with, for instance, New York City...
Reviewed by Julian May in issue: July/2025
Oud master Mehmet Polat’s seventh record fizzes with energetic, odd-time compositions. He develops a cross-cultural conversation that Dave Brubeck picked...
Reviewed by Liam Izod in issue: July/2025
It’s only been a few weeks since the release of his last album, the excellent Live at Another Sky Festival,...
Reviewed by Robin Denselow in issue: July/2025
It’s been a while since we last had a record from our favourite Malawian busking duo, but Madalitso Band are...
Reviewed by Jim Hickson in issue: July/2025
Ultan O’Brien is a fiddler and composer hailing from County Clare in West Ireland with an interest in both the...
Reviewed by Glenn Kimpton in issue: July/2025
Les Abranis were founded in the late 1960s by singer Karim Abdenour and organ player Shamy El Vaz, two young...
Reviewed by Nigel Williamson in issue: July/2025
Something of an anomaly in this magazine but also on the pop scene, Anglo-Austrian singer Alicia Edelweiss is one of...
Reviewed by Tom Newell in issue: July/2025
More than seven years after her debut, the second solo album from Egyptian-born, Montréal-based Nadah El Shazly brings all the...
Reviewed by Olivia Cheves in issue: July/2025
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