Reviews
Dakan
As opening statements go, you can’t get much more gloriously emphatic than ‘Diyanye Ko’ which kicks off the fourth album...
Reviewed by Nigel Williamson in issue: December/2025
Lost Measures
Leveret (Sam Sweeney on fiddle and viola, Andy Cutting on button accordion/melodeon and Rob Harbron on English concertina) return with...
Reviewed by Billy Rough in issue: December/2025
Vendrán Suaves Lluvias
Silvana Estrada says she studied at a jazz conservatory so she could “use my voice as an instrument”, and with...
Reviewed by Robin Denselow in issue: December/2025
2
Yalla Miku, the brainchild of Beirut-born Bongo Joe founder Cyril Yeterian, is a group which brings musicians from North and...
Reviewed by Nigel Williamson in issue: December/2025
L’amour à la folie
You don’t know what you’ve got ’til it’s gone. Perhaps in recent years, we grew guilty of rather taking for...
Reviewed by Nigel Williamson in issue: December/2025
Underwater Cairngorms
Mhairi Hall & David de la Haye
A collaboration between composer Mhairi Hall and field recordist David de la Haye, Underwater Cairngorms combines sounds captured from below...
Reviewed by Tom Newell in issue: December/2025
Earth Is Begging
After a decade of being The KutiMangoes, in 2022, the Denmark-based band rebranded as Sunbörn, vowing to “bring people together”...
Reviewed by Mark Sampson in issue: December/2025
Feux
This third record from Paris-based jazz quintet Theorem of Joy offers a bounty of searching compositions and stirring improv. Its...
Reviewed by Liam Izod in issue: December/2025
Norwegian Electronic Folk Music
Kenneth Lien & Center of the Universe
Norway has a thriving and intriguing experimental folk scene, and multi-instrumentalist Kenneth Lien is one of its key exponents. I...
Reviewed by Robin Denselow in issue: December/2025
