From the opening beat, Ajomasé announces itself as a percussive odyssey shaped by Gasper Lawal’s boundless creativity. First released in...
Reviewed by Joe Mulhall in issue: February/March/2026
To mark the centenary of the king of zydeco’s birth, and following an acclaimed tribute album on Valcour Records, topped...
Reviewed by Tim Cumming in issue: February/March/2026
My Morning Jacket guitarist Carl Broemel and former Band of Horses lead guitarist Tyler Ramsey have apparently long intended to...
Reviewed by Glenn Kimpton in issue: February/March/2026
The Slovak jazz singer Júlia Kozáková continues her journey into the Romani music she holds dear. On MANUŠA II (Manuša...
Reviewed by Michał Wieczorek in issue: February/March/2026
Since 2012, the group Saodaj from La Réunion has been following its own path, becoming one of the most emblematic...
Reviewed by Łukasz Komła in issue: February/March/2026
Jake Xerxes Fussell & James Elkington
In a move away from their usual collaborative format (James has played on and produced Jake’s last two albums), these...
Reviewed by Glenn Kimpton in issue: February/March/2026
This Belgian quartet are named after the Federico García Lorca sonnets that form the verbal heart of this repertoire. The...
Reviewed by Martin Longley in issue: February/March/2026
Tommy Emmanuel wrote ‘Scarlett’s World’, the first single from Living in the Light, the Australian guitar wizard’s latest full-length album,...
Reviewed by Doug Deloach in issue: February/March/2026
Irish harper Aisling Urwin’s second solo album is a haunting, experimental and hypnotic listen that perfectly blends harp tradition with...
Reviewed by Billy Rough in issue: February/March/2026
With Ambush, Latin jazz specialists In The Woods present a tight eight-track collection that revolves around the work of the...
Reviewed by Andrew Taylor-Dawson in issue: February/March/2026
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