Nashville bluegrass banjo stalwart Wes Corbett’s new album, Drift, is surprisingly spectacular. A member of the Sam Bush Band, Corbett...
Reviewed by Devon Léger in issue: January/2026
Junior Murvin became reggae’s falsetto voice of choice with his 1976 hit ‘Police and Thieves’, a song whose popularity in...
Reviewed by Clyde Macfarlane in issue: December/2025
That odd beast – a folk concept album – takes shape in Ballad Lines, a new Scottish folk musical by...
Reviewed by Billy Rough in issue: December/2025
Belgian composer and multi-instrumentalist Ward Dhoore has made fairly regular appearances in these pages as a member of such forward-thinking...
Reviewed by Kevin Bourke in issue: December/2025
Sheffield’s storied musical pedigree is further burnished by Mishra, a folk collective supplying a beguiling ‘Indo-fusion’. The group deftly bring...
Reviewed by Liam Izod in issue: December/2025
Raymond Antrobus & Evelyn Glennie
Poet Raymond Antrobus and percussionist Evelyn Glennie reconvene for a second album of percussion and poetry, made in one afternoon,...
Reviewed by Tim Cumming in issue: December/2025
Scottish singer-songwriter James Yorkston’s latest release doesn’t tinker with his winning formula of gently absorbing compositions set against lush, but...
Reviewed by Chris Wheatley in issue: December/2025
Norwegian fiddle player, singer and composer Susanne Lundeng returns with a fascinating project – a time-bending collaboration with folk musicians...
Reviewed by Chris Wheatley in issue: December/2025
Formed in 2016, Dun-Dun Band are a sprawling 10-piece ensemble from Toronto with members recruited from various jazz-adjacent groups and...
Reviewed by Daniel Spicer in issue: December/2025
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