Reviews
Longyin: The Dragon Chants
Cheng Yu with Dennis Kwong Thye Lee
In classical music, the recreation of earlier musical styles has become a genre in itself with what’s now called HIP...
Reviewed by Simon Broughton in issue: January/February/2022
Dionysus vs Tamada
Georgian artist Lasha Chapel has already enjoyed some underground success performing smoky, Anglophone ballads backed by minimal electronic beats. After...
Reviewed by Daniel Spicer in issue: January/February/2022
Day by Day
At 83 years old, Blake is poised to take his place in the Americana pantheon. In the 1960s he made...
Reviewed by Doug Deloach in issue: January/February/2022
Las Fuerzas Almadas
Dat Garcia is the first solo female artist on Buenos Aires’ ZZK Records, which has spearheaded a neo-electro-folk scene in...
Reviewed by Chris Moss in issue: January/February/2022
Zvony
Adrian Myhr & Michaela Antalová
This is a duo recording of Slovak and Norwegian flutes with double bass. The flutes, played by Michaela Antalová, are...
Reviewed by Simon Broughton in issue: January/February/2022
Reggae Dancer
There’s a long and proud tradition of Australian Aboriginal rock-reggae groups, from both remote desert regions and urban cities, that...
Reviewed by Seth Jordan in issue: January/February/2022
Tolika Mtoliki
A dozen years after forming as a performance art and music ensemble in Johannesburg, The Brother Moves On releases one...
Reviewed by Diane Coetzer in issue: January/February/2022
Live at the Floodgate
Pulling off a live album can be tricky; the sound can be inferior to a studio record and it is...
Reviewed by Glenn Kimpton in issue: January/February/2022
