Reviews
Escape Plan
Since first hearing Thornato’s edits of dancehall and Afro-Colombian folk music in the early 2010s, it’s remarkable how his MO...
Reviewed by Russ Slater in issue: December/2020
Hireth
A few accordion notes conjure the scene. Noir. Tanya Brittain makes her entrance: a wronged woman, bent on revenge. ‘Don’t...
Reviewed by Julian May in issue: December/2020
Bombyx Mori
This is an extremely elegant and accomplished record. But that should come as no surprise as it features three extremely...
Reviewed by Simon Broughton in issue: December/2020
Mucho Gusto
Acid Coco are a Colombian duo whose careers have led them to the US, Europe and beyond. Before the formation...
Reviewed by Charlotte Algar in issue: December/2020
La Locura de Machuca 1975-1980
Discos Machuca was a seminal Afro-cumbia label in late 70s Colombia. Founded by a tax lawyer who reinvented himself as...
Reviewed by Chris Moss in issue: December/2020
In the Wake of Memories
A Syrian refugee, an international aid worker and a philosopher walk into a recording studio… When three musicians from very...
Reviewed by Bill Badley in issue: December/2020
The Stolen Cello
When Redi Hasa arrived in Italy as a refugee from Albania, the only possession he took with him was his...
Reviewed by Nigel Williamson in issue: December/2020
The InCider Sessions
Whatever fiddler Adam Summerhayes is on, I want some. He’s known for his formidable talent in classtcal and tolk traditions,...
Reviewed by Nathaniel Handy in issue: December/2020
Play at Night
Play at Night is a remarkable release that questions roots, routine and reality. Artist Devi Mambouka grew up in Gabon,...
Reviewed by Alex De Lacey in issue: December/2020
Sam Amidon
Sam Amidon, the radical recombinator of traditional folk music, has concocted a delightfully diabolical set of experiments, unleashing a Frankenstein’s...
Reviewed by Doug Deloach in issue: December/2020
