In both senses of the term, Johannesburg’s Zoë Modiga is a new world star. Her ancient-to-future energy swirls from a...
Reviewed by Jane Cornwell in issue: October/2020
Harry Roesli was a political and social activist and prominent member of the tradisi baru (new tradition) Indonesian artists who...
Reviewed by Andy Channing in issue: October/2020
Last year Trojan Jamaica released Red, Gold, Green and Blue, a selection of covers of sacred blues and soul works...
Reviewed by Clyde Macfarlane in issue: October/2020
I’ve met Mexicans into Spanish oi, Bolivians addicted to Jamaican ska, and Argentinians obsessed with Celtic folk. They produce fanzines,...
Reviewed by Chris Moss in issue: October/2020
The rich and versatile voice of Cuban singer and composer Max Max (aka Yoandri Castro Max) will be familiar to...
Reviewed by Jane Cornwell in issue: October/2020
Formed around the voices of sister and brother Eva and Maarten Decombel with the mandolin and synths of Trio Dhoore’s...
Reviewed by Kevin Bourke in issue: October/2020
As the music of gambling dens, bordellos, barrelhouses and anywhere else vice was to be found, the blues swiftly earned...
Reviewed by Nigel Williamson in issue: October/2020
Famous Fados is the latest instalment in a series of discs showcasing Custódio Castelo’s talent as a solo artist (his...
Reviewed by Michael Macaroon in issue: October/2020
Kevin Henderson & Neil Pearlman
Burden Lake is the debut collaboration between Scotland’s Kevin Henderson on fiddle and American Neil Pearlman on piano, a beautiful...
Reviewed by Billy Rough in issue: October/2020
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