Reviews
The Livelong Day
The outstanding ten minutes of ‘The Wild Rover’ dominates this third album from Ireland's most significant band. Drawing on the...
Reviewed by Tim Cumming in issue: Jan/Feb/2020
Blue Lotus the Awakening
Mau Power (aka Patrick Mau) hails from Thursday Island in the Torres Strait – that chain of Australian islands between...
Reviewed by Seth Jordan in issue: Jan/Feb/2020
Gypsybilly King
Canada's Adrian Raso won international prominence when he got together with Romanian brass band Fanfare Ciocărlia in 2014 to create...
Reviewed by Garth Cartwright in issue: Jan/Feb/2020
Encuentro
An encounter with tango can easily spawn a kind of fanaticism, typically among non-Argentinians who become enraptured with its familiar...
Reviewed by Chris Moss in issue: Jan/Feb/2020
Oumniya
Souad Massi's career has followed an uneven path since her 2001 debut album, Raoui, earned her a nomination for Best...
Reviewed by Nigel Williamson in issue: Jan/Feb/2020
Steer by the Stars
As one of the strongest live acts on the trad scene for the last couple of decades, and following the...
Reviewed by Billy Rough in issue: Jan/Feb/2020
Oulad Lghaba
Asmâa Hamzaoui & Bnat Timbouktou
Much fuss is being made over the young Gnawi maalma (female maalem) Asmâa Hamzaoui, who, still in her early 20s,...
Reviewed by Jane Cornwell in issue: Jan/Feb/2020
Caçador de Infância
Grazie Wirtti & Matias Arriazu
ECM's Carmo imprint is named after the birthplace of one of the parent company's most prolific artists, Egberto Gismonti. After...
Reviewed by Mark Sampson in issue: Jan/Feb/2020
