Daniel Murray, a highly regarded Brazilian guitarist, has here put together a well-balanced tribute to the legendary Egberto Gismonti –...
Reviewed by Charlotte Algar in issue: December/2019
Knowing nothing about this seven-piece, save that it hailed from Hungary and appeared to have a religious bent, on first...
Reviewed by Kim Burton in issue: December/2019
Mísia was integral to the new wave of fadistas in the 1990s, helping to revitalise the genre with new influences,...
Reviewed by Michael Macaroon in issue: December/2019
In the 1920s and early 30s the term ‘country music’ had yet to be invented, so any description applied to...
Reviewed by Kevin Bourke in issue: December/2019
Hungarian Gypsy band Parno Graszt hail from the village of Paszab in the north-east of the country. Led by tambura...
Reviewed by Simon Broughton in issue: December/2019
A reinvigorated Steeleye Span set their stall against an illustrious past with Est'd 1969 and it's up there with the...
Reviewed by Tim Cumming in issue: December/2019
This album is the latest Thai release from Japan's EM Records and marks a departure from previous reissues of Thai...
Reviewed by John Clewley in issue: December/2019
In 1979 Calum Martin released his first studio album. Fort years later, with the release of Imrich, Martin continues to...
Reviewed by Li Robbins in issue: December/2019
Hailing from Snowdonia, the young singer, song collector and instrumentalist Gwilym Bowen Rhys was a member of rock band Y...
Reviewed by Tim Cumming in issue: December/2019
Topette!! are an Anglo-French dance band of great verve. It would be a curmudgeon of great resolve who could resist...
Reviewed by Julian May in issue: December/2019
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