Reviews
Entre Tus Flores
Miramar – Reinaldo ‘Rei’ Alvarez, Laura Ann Singh and Marlysse Simmons – are a Puerto Rican-US trio specialising in bolero,...
Reviewed by Huw Hennessy in issue: February/March/2025
Tears of Injustice
Mdou Moctar, dubbed ‘the Hendrix of the Sahara’ for his blistering electric guitar riffs, has, on this acoustic companion piece...
Reviewed by Russell Higham in issue: February/March/2025
Slåtter på Kontrabass
The title is simple – Folk Tunes for Double Bass – but the concept is not. For solo double bass…...
Reviewed by Fiona Talkington in issue: February/March/2025
Moda Antiga
On this, her third album, the Cape Verdean singer hailed as a worthy successor to the great Cesária Évora focuses...
Reviewed by Tom Newell in issue: February/March/2025
Lükata-Tõmmata, Hargiga-Roobiga
Jaan Rand / Katariin Raska, Leanne Barbo & Natali Ponetajev
Jaan Rand (1879–1944) was a versatile Estonian folk musician from Kirbla in western Estonia. A master of the jaw harp,...
Reviewed by Mateusz Dobrowolski in issue: February/March/2025
Black Woman & Child (2024 Remix)
Miguel Collins, far better known as Sizzla, played an intriguing role in reggae history. He began recording in the late...
Reviewed by Robin Denselow in issue: February/March/2025
La Pata Coja
The Bongo Hop are the brainchild of France-based Etienne Sevet, who could be considered part of the new tropical revivalists,...
Reviewed by Andy Cumming in issue: February/March/2025
My Name is Giridhar Udupa
Having performed as a sideman with a myriad of world-class South Asian and Western artists, percussion virtuoso Giridhar Udupa releases...
Reviewed by Charlie Cawood in issue: February/March/2025
Love’s Company
There is an arch, stylised and arthouse feel to Turan. The Turkish singer-songwriter is a longtime member of the London...
Reviewed by Nathaniel Handy in issue: February/March/2025
Un Éloge d’Oblique: Confluence #1.2.3
Constantly exploring and expanding the boundaries of her instrument, French kaval player Isabelle Courroy presents here a three-part album (which...
Reviewed by Tom Newell in issue: February/March/2025
