Reviews
We Are the Keepers
Maybe it’s the feeling of hopelessness that’s enveloped the US right now, or the sense of impending dread as a...
Reviewed by Devon Leger in issue: February/March/2025
Everybody Wants to Be Like Mary
Scottish folk music is no stranger to electronica – going back to the original ‘techno piper’, the late Martyn Bennett...
Reviewed by Tim Cumming in issue: February/March/2025
Carmen 404
With this fourth album, the French-ish quartet Lolomis continue to provide high-grade, adventurous splicings of hard electronics and sylvan folk....
Reviewed by Martin Longley in issue: February/March/2025
The Instruction Manual
I’d not heard a robotic choir before, and won’t hear one again based on The Instruction Manual’s self-titled debut album....
Reviewed by Tim Cumming in issue: February/March/2025
Pacifico
Robin Layne & The Rhythm Makers
The Pacific coast is this congenial album’s common denominator: percussionist, composer and educator Robin Layne is based around Vancouver and...
Reviewed by Mark Sampson in issue: February/March/2025
FOLKMOSIS
Beth Malcolm’s follow-up to her 2023 debut album, Kissed and Cried, presents a delightful musical triptych that takes the listener...
Reviewed by Peter Quinn in issue: February/March/2025
Kananayé
Kanazoe, Clotilde Rullaud, Abdoulaye Traore, Boubacar Djiga & Achille Nacoulma
This album has its origins in a project commissioned for a 2019 festival in Burkina Faso in which French singer...
Reviewed by Nigel Williamson in issue: February/March/2025
Väder
My first hearing of Väder was on Swedish Radio, the sound of a fiddle duo stopping me in my tracks...
Reviewed by Fiona Talkington in issue: February/March/2025
