Reviews
Ääneni Yli Vesien
Finnish folk music is undergoing another exciting resurgence with many young bands finding new and inventive ways of celebrating traditions....
Reviewed by Fiona Talkington in issue: May/2018
Solo
In instrumental folk, it's rare that a solo album is actually a solo album. An album of ‘solo fiddle’ will...
Reviewed by Matt Milton in issue: May/2018
Uprooted
Given Minor Empire's mesmeric sound, it's a shame it's taken so long for a follow-up to their 2011 debut, Second...
Reviewed by Li Robbins in issue: May/2018
Reggae Power/Woman Capture Man
Whatever the line-up, vocal harmony group The Ethiopians have always been the vehicle of Leonard Dillon. A convert to Rastafarianism,...
Reviewed by Martin Sinnock in issue: May/2018
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Turkey on the Edge (Soundtrack)
Turkey, ruled since 2002 by an increasingly autocratic Recep Tayyip Erdoğan, experienced an unsuccessful military coup on July 15 2016....
Reviewed by Marc Dubin in issue: May/2018
Autumn Winds
It doesn’t take long to get sucked into the subtle beauty of Irish singer and song collector Niall Hanna's debut...
Reviewed by Glenn Kimpton in issue: May/2018
Mim Ê Bô
It has been a long wait for Tito Paris to end his self-imposed recording silence of 15 years. A key...
Reviewed by GonÇalo Frota in issue: May/2018
Bright Field
Bright Field is a strong follow-up to Rowan and Anna Rheingans’ excellent 2015 album Already Home(a Top of the World...
Reviewed by Tim Cumming in issue: May/2018
Laço Umbilical
On a trip to Cape Verde last year I found myself being chastised by another journalist for mentioning the search...
Reviewed by Clive Davis in issue: May/2018
Åra
Apneseth is on the move again. His previous albums have investigated a more purist Norwegian folk (even when he's penned...
Reviewed by Martin Longley in issue: April/2018
