A capella music is surely even more of a matter of taste than Marmite, Jeremy Corbyn or coprophilia. While I...
Reviewed by Chris Moss in issue: May/2019
Thirty years ago a group of friends – some actually fishermen – got together on the Platt (the hard ground...
Reviewed by Julian May in issue: May/2019
The fourth studio album from Devon folk duo David Harbottle and Freya Jonas is a concept album about the sea....
Reviewed by Nathaniel Handy in issue: May/2019
Where the rhythms and grooves of West Africa have been embraced across the planet, absorbed into the mainstream and melded...
Reviewed by Tim Romain in issue: May/2019
This is Frafra Power is one of those rare treats of a compilation album that gives what by all accounts...
Reviewed by Tim Romain in issue: May/2019
Active since 2003, Alfabeto Runico are the fruit, first and foremost, of the friendship between the three band members. Marta...
Reviewed by Megan Iacobini de fazio in issue: May/2019
The Public Opinion Afro Orchestra
This is the second album from the Melbourne-based Public Opinion Afro Orchestra and it is unabashedly Afrobeat. The group take...
Reviewed by Jim Hickson in issue: May/2019
Wahala means ‘Problem’ or ‘Trouble’, but I had no problem enjoying this album. It is high-energy and punchy, as you'd...
Reviewed by Charlotte Algar in issue: May/2019
Tri Nguyen's mission is to bring the đàn tranh (zither) to new audiences by combining Vietnamese traditions with Western classical...
Reviewed by Barley Norton in issue: May/2019
Drummer Tom Bancroft is probably best known to Songlines readers through having worked with the Grit Orchestra, which brought the...
Reviewed by Rob Adams in issue: May/2019
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