Maija Kauhanen has emerged in recent years as a strong new presence on the Finnish folk scene, first as a...
Reviewed by Fiona Talkington in issue: October/2017
Sweet as Broken Dates is a collection of Somali-language pop recorded in Somalia, Somaliland and Djibouti from the 1960s right...
Reviewed by Jim Hickson in issue: October/2017
An aura surrounds Bright Phoebus; this is the legendary, lost masterpiece of modern English folk. The Watersons sang traditional songs...
Reviewed by Julian May in issue: October/2017
While it is frequently powerful, contemporary Australian Aboriginal music is usually non-confrontational – a traditional-meets-modern combination full of heartfelt lyrics...
Reviewed by Seth Jordan in issue: October/2017
Samia Malik's album is autobiographical, bringing out the personal from the political via a series of original English and Urdu...
Reviewed by Amardeep Dhillon in issue: October/2017
Stepping into an alehouse with Bjarte Eike and Barokksolistene could well be a dangerously riotous, yet addictive experience, judging by...
Reviewed by Fiona Talkington in issue: October/2017
A native of Montana, a graduate of Berklee College of Music and a traditional balladeer, Lindsay Straw infuses familiar and...
Reviewed by Doug Deloach in issue: October/2017
County Antrim harpist, fiddler and vocalist Amy McAllister's pleasingly bright and lyrical voice calls to mind the once ubiquitous Mary...
Reviewed by Michael Quinn in issue: October/2017
Building on the promise of their fine 2014 debut album, Housewarming, and 2015's EP September, Melbourne's Mae Triocontinue to impress...
Reviewed by Seth Jordan in issue: October/2017
Jinder is one Phil Dewhurst, a West Country based musician who is very tall and has Blackfoot Sioux bloodlines in...
Reviewed by Garth Cartwright in issue: October/2017
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