Reviews
Navega!
From Marseille, singer Tatou and crew have continued leaping across to the US, bringing the Occitan language to new audiences....
Reviewed by Martin Longley in issue: Jan/Feb/2017
El Changüí Majadero
Changüí music hails from the recently hurricane-ravaged area of Baracoa in Cuba's easterly Guantanamo province: it is a graceful, Caribbean-soaked...
Reviewed by Jane Cornwell in issue: Jan/Feb/2017
Dedication to Sylvia Rexach
Puerto Rican singer-songwriter Sylvia Rexach was the face of her island's first all-female combo, Las Damiselas, back in the 1950s....
Reviewed by Chris Moss in issue: Jan/Feb/2017
“I Will Not Stop Singing”
As the title states, these Malawian inmates will not stop singing – at least until the 30 minutes of this...
Reviewed by Martin Longley in issue: Jan/Feb/2017
Spain Forever
This is the latest in a very occasional series of duo albums by the Dominican pianist Michel Camilo and Andalusian...
Reviewed by Jo Setters in issue: Jan/Feb/2017
Coda: A Concluding Event
The male a capella trio bring their close-harmonies and politically engaged and socially conscious music-making to a close with Coda....
Reviewed by Tim Cumming in issue: Jan/Feb/2017
Songs of Struggle & Hope
The veteran Mexican singer-guitarist Lira graduated from fieldwork to songwriting in 1965, championing Chicano equality via theatre and music, while...
Reviewed by Martin Longley in issue: Jan/Feb/2017
Carnatic Connection
Bollywood Brass Band featuring Jyotsna Srikanth
The Bollywood Brass Band's latest album is yet another outstanding tour de force. With the help of Jyotsna Srikanth's Karnatic...
Reviewed by Amar Dhillon in issue: Jan/Feb/2017
Retribution
Tanya Tagaq's music somehow manages to feel completely out of this world, and at the same time deeply plugged into...
Reviewed by Merlyn Driver in issue: Jan/Feb/2017
