Reviews
All We Have is Now
Self-proclaimed Highland neo-trad quintet Elephant Sessions are a curious mix of traditional roots, electronic, rock and funk. Comprising Euan Smille...
Reviewed by Billy Rough in issue: July/2017
Zivo
On the new release from neo-rebetika outfit Trio Tekke, they have teamed up with drummer Dave de Rose to give...
Reviewed by Maria Lord in issue: July/2017
Rûwâhîne
Perched somewhere between the industrial-noise soundscapes of Throbbing Gristle, grungy club beats and a fairly obscure Saharan healing ritual of...
Reviewed by Tim Cumming in issue: July/2017
Diversions Vol 4: The Songs and Poems of Molly Drake
When Molly Drake's poems and songs came to light they attracted some attention. There was a radio documentary, for which...
Reviewed by Julian May in issue: July/2017
Pop Makossa: The Invasive Dance Beat of Cameroon 1976-1984
Makossa united the tastes of a divided Cameroon, not least because it was a musical style that could bend around...
Reviewed by Jim Hickson in issue: July/2017
Sons da Terra Vol 1
This is a beautiful collection of live performances in the Monasterio de Santa Cristina in the Ribeiro Sacra region of...
Reviewed by Simon Broughton in issue: July/2017
Pools of Light
It's immediately apparent that Jessica Moss, former violinist of art-rock indie band Thee Silver Mt Zion Memorial Orchestra, knows her...
Reviewed by Matt Milton in issue: July/2017
Shimmer Gold
The second release from Estonian trio Trad.Attack! picks up where their debut left off. ‘Talgo’ opens ferociously with a pounding...
Reviewed by Alex De Lacey in issue: July/2017
Mande Kulu
This is a sequel to 2015's Sangoyi, with the core collaboration between Malian residents Samba Diabaté and Vincent Zanetti (both...
Reviewed by Martin Longley in issue: July/2017
S'Habituer à l'Obscurité: ‘N om Gustumiñ Deus an Deñvalijenn
Christophe Le Menn, aka Krismenn, is a rapper and musician from Brittany. In keeping with the original spirit of hip-hop,...
Reviewed by Merlyn Driver in issue: July/2017
