Whatever/Whoever is the translation of Jaubi (pronounced jaw-bee) and ‘whatever sounds good’ is the band’s guiding principle. The Pakistani jazz...
Reviewed by Tom Newell in issue: November/2024
Originally released in 2023, this is a new deluxe version to take advantage of the attention it has garnered since...
Reviewed by Andy Cumming in issue: November/2024
Palestinian-American violinist Akram Abdulfattah returns with a first release since his 2022 EP From Here. Abu Kenda (Kenda's Father) is...
Reviewed by Yousif Nur in issue: November/2024
Macdara Yeates has played no small part in platforming a new generation of Irish folk singers via his stewardship of...
Reviewed by Michael Quinn in issue: November/2024
Milton Nascimento & esperanza spalding
Bassist spalding first heard Nascimento at a dinner party when a friend put on Native Dancer, and that otherworldly falsetto...
Reviewed by Andy Cumming in issue: November/2024
Long based in France, trumpeter Ibrahim Maalouf was born in Lebanon and this is a tribute to his roots and...
Reviewed by Simon Broughton in issue: November/2024
Enrique Roberto Tellería was a wild non-conformist in 1960s Peru which sought to sanitise foreign youth music. His rare debut...
Reviewed by Mark Sampson in issue: November/2024
The second (final) outing of Herbie Olivieri's Nuyorican outfit from 1972. Rooted in New York's salsa sound, there are vibrant...
Reviewed by Mark Sampson in issue: November/2024
You would expect from The Rheingans Sisters, Rowan and Anna, the assertion of female autonomy, and ‘Devils’, their take on...
Reviewed by Julian May in issue: November/2024
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