You wait 15 years for a new Sidi Touré album and then, like a fleet of bush taxis, three come...
Reviewed by Nigel Williamson in issue: Nov/Dec/2013
San Francisco’s Great American Music Hall, which looks as impressive as its name, is one of the closest things to...
Reviewed by Jeff Kaliss in issue: Nov/Dec/2013
Niamh Dunne is the singer and fiddle player with the highly successful band Beoga and Portraits is her first solo...
Reviewed by Julian May in issue: Nov/Dec/2013
This music is fragile, meditative and delicate, with soundscapes leading us into secret, intimate places. The names on the album...
Reviewed by Fiona Talkington in issue: Nov/Dec/2013
Dan Harper doesn’t heed conventional wisdom. You’re supposed to open an album with one of the strongest songs in your...
Reviewed by Nige Tassell in issue: Nov/Dec/2013
Music and spirituality are intertwined in Madagascar. Lala Njava learned her warm, sonorous singing technique from the resident shaman in...
Reviewed by Alex Robinson in issue: Nov/Dec/2013
‘Ten years without Compay Segundo,’ says the sticker on the album cover, which is a slightly odd marketing slogan for...
Reviewed by Nigel Williamson in issue: Nov/Dec/2013
Released in 2004, the original Pod was the penultimate album from the dance fusion supergroup before they ceased putting out...
Reviewed by Tim Woodall in issue: Nov/Dec/2013
Mr Bongo’s Classic African Recordings series continues with a little-known Peter King set, originally released in the UK in 1975....
Reviewed by Chris Menist in issue: Nov/Dec/2013
Listening to Memories and Moments, Tim O’Brien and Darrell Scott’s much-anticipated follow-up to last year’s live album, We’re Usually a...
Reviewed by Doug Deloach in issue: Nov/Dec/2013
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