What’s in a name? Well, the album’s two longest tracks, ‘Assosa Derache’ and ‘Motherland Abay’, both composed, arranged and produced...
Reviewed by Mark Sampson in issue: Nov/Dec/2013
Debademba consists of singer Mohamed Diaby, who comes from a Malian griot family and was raised in Abidjan in the...
Reviewed by Martin Sinnock in issue: Nov/Dec/2013
The Welsh-born Catrin Finch has made her name playing harp with some of the world’s most prestigious orchestras, yet she’s...
Reviewed by Nigel Williamson in issue: Nov/Dec/2013
Ian McCamy is one of the leading fiddlers in old¬time American music circles. His illustrious playing has sparkled throughout albums...
Reviewed by Garth Cartwright in issue: Nov/Dec/2013
Nusrat Fateh Ali Khan & Michael Brook
This is the latest classic in the Real World Gold series. As such, it is a little peculiar, being a...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2013
Ivan Rosenberg seems to care about the material he creates or interprets, as well as about who’s listening to the...
Reviewed by Jeff Kaliss in issue: Nov/Dec/2013
This three-LP set, recorded by Alain Daniélou, was first released in 1955. The recordings were groundbreaking in the 50s for...
Reviewed by Simon Broughton in issue: Nov/Dec/2013
Is there any mileage left in tango electronica? Let me think for a picosecond. No. While Buenos Aires septet Otros...
Reviewed by Chris Moss in issue: Nov/Dec/2013
It’s the 1960s. They wear swinging, Carnaby Street clobber. Their performances are famously forthright and intense, yet funny and entertaining....
Reviewed by Julian May in issue: Nov/Dec/2013
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