Features
“We wanted to shake things up, break some walls with traditional music” | Mélisande [électrotrad]
Meet the Québécois group’s core duo artfully blending French-Canadian trad and club-friendly electronics
Meet the Québécois group’s core duo artfully blending French-Canadian trad and club-friendly electronics
Erin Cobby takes a close look at the music industry’s muddled reaction to the war between Israel and Hamas
Sundays in London are about to get a lot more Cuban as a new monthly residency fires up a crack team of timba musicians for its inaugural event
Musical genres around the world
The legendary broadcaster revisits the sounds of his early career on a recent BBC programme that reveals a little-known side to the beloved naturalist – that of a world music collector. He shares his favourite tracks with producer Julian May
Justin Turford explores one of Europe's newest showcases of world music
Audiences can look forward to a diverse line-up of homegrown and international musical talent
Charis McGowan finds out the records that inspired Adrian Quesada’s latest psychedelic bolero opus
Ethio-Jazz pioneer Mulatu Astatke played a retrospective set from his golden era on the opening night of the Brussels Jazz Festival
Latin idol, Cuban exile, Miami mentor and unrivalled queen of the conga, Charis McGowan speaks to the multi-award-winning songstress about returning to her roots
From war-torn Angola to the ‘northern lights’ of Trømso World Festival, Pongo tells Jane Cornwell, “I have come a very long way”
Russ Slater Johnson speaks to a classically trained pianist whose music is faster, louder and more transcendent than anything else out there
Israeli-born vocalist Noam Vazana composes songs in the Jewish Ladino language and speaks here to Simon Broughton about her fascination with this dying tongue
Local resident Christopher Conder explores the past and present of the largest street festival in Europe, Notting Hill Carnival
Jane Cornwell finds out about a residency bringing the popular Cuban sounds of timba to London. “February was a masterclass in Cuban genres… The crowd were going crazy”, she hears
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