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Review: WOMAD 2018 – Friday
Visa problems and contentious programming decisions fail to put a dampener on the first full day of WOMAD Charlton Park 2018.
Visa problems and contentious programming decisions fail to put a dampener on the first full day of WOMAD Charlton Park 2018.
Diane Coetzer talks to the South African band BCUC who are exporting their traditional Soweto music across the globe and mesmerising audiences, one transcendental show at a time
A selection of essential releases from the US and Canada including new albums from Brivele, Natalie Padilla, Danny Paisley, Kristina Murray and Kassi Valazza
“For some reason, it seemed to strike a chord with people, and it is the most successful recording I have made in terms of acclaim and sales”
Jane Cornwell speaks with Tim Cole and BaoBao Chen, the producers of the Indo-Pacific collective Small Island Big Song, about their second project, which focuses on our troublesome relationship with nature. Illustrations: Jenn Da Costa
Diane Coetzer talks to the South African band BCUC who are exporting their traditional Soweto music across the globe and mesmerising audiences, one transcendental show at a time
Megan Iacobini de Fazio meets the France-based collective Sarāb – uniting Middle Eastern traditions with contemporary jazz, climate activism and intense live shows
Ardent Irish folk artists recall days of yore with passionate and playful performance
Red Baraat's Sonny Singh releases first single and video from his debut solo album, Chardi Kala
One of the UK’s finest sitarists, Roopa Panesar, joins forces with pianist Al MacSween for a special pair of raga weekends
The Saharawi singer moves into electronic sounds with her new video set in the desert
Chris Menist speaks to the Pakistani master of the keyboard-fitted zither, which holds a central role in the music of Balochistan
Touareg rockers release new 7” with accompanying tome documenting their inscrutable exploits
The pre-eminent Malian kora player Toumani Diabaté talks to Simon Broughton about his special one-off collaboration with the London Symphony Orchestra
Masa Nazzal returned from the Bosnian-Croatian border with an archive of sounds and stories that became a new way of understanding the world. “Listening [is] like a hand that reaches out”, she reflects
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