New Music for the Harp of Avalon is the latest release from Brighton-based musician and producer Fane. Where Fane’s previous...
Reviewed by Olivia Cheves in issue: February/March/2025
Helen Gentile (Monkey See Monkey Do) and Lewis Wood (Granny’s Attic) reunite for Violet Sky, their second album of original...
Reviewed by Billy Rough in issue: February/March/2025
When she was 16 Kathryn Tickell borrowed a tape recorder and spent a weekend in her parents’ kitchen with friends...
Reviewed by Julian May in issue: February/March/2025
Trèvol present themselves as a young quartet picking on traditional instruments and repertoire, while inserting jazz, pop and folk elements....
Reviewed by GonÇalo Frota in issue: February/March/2025
Malian-born Pédro Kouyaté has made his way in music as a disciple of Toumani Diabaté, a member of the Symétric...
Reviewed by Jean Berry in issue: May/2025
Ti Galé is an album of exuberant solo accordion music by René Lacaille, venerable master of sega, the dance music...
Reviewed by Julian May in issue: May/2025
The 107th Street Stickball Team
This pick-up outfit featured in Vampisoul’s marvellous retrospective of producer Bobby Marín’s work, We’ve Got a Groovy Thing Going [reviewed...
Reviewed by Mark Sampson in issue: May/2025
Did someone say ‘funky folk’? Yes? Well, you’ve come to the right place. The sixth studio album from multi-instrumentalist Ross...
Reviewed by Nathaniel Handy in issue: May/2025
Belfast-based singer-songwriter Joshua Burnside’s latest album ranges from the atmospheric opener ‘Teeth of Time: Mountain’ – its first half a...
Reviewed by Peter Quinn in issue: May/2025
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