Reviews
Two Boats Under the Moon
Those who have followed Donald Lindsay’s musical output may be surprised to learn that Two Boats Under the Moon is...
Reviewed by Huw Hennessy in issue: July/2025
Stealing Time
I rarely use the phrase ‘golden voice’, but on this new album from Newfoundland folk singer Matthew Byrne, his voice...
Reviewed by Devon Léger in issue: July/2025
Banbirrngu: The Orchestral Sessions
One of the most beautiful and distinctive voices to ever emerge from Australia, Geoffrey Gurrumul Yunupingu – better known simply...
Reviewed by Seth Jordan in issue: February/March/2025
Hote’ Hote’
Now based in Melbourne, Charles Maimarosia hails from the Solomon Islands, and first came to international attention over 20 years...
Reviewed by Seth Jordan in issue: June/2025
At the Feet of the Beloved
The brothers Rizwan and Muazzam’s new album is very much in keeping with the Khan family tradition, notably that of...
Reviewed by Jameela Siddiqi in issue: May/2025
Folk Process
When do original songs enter into the folk process, shedding that singular point of origin for the rough and tumble...
Reviewed by Tim Cumming in issue: April/2025
Jawaya Jathum
Jawaya Jathum translates as ‘The Guitarist and The Music Lover’, these being Polycarp Otieno (aka Fancy Fingers) and sweetly soulful...
Reviewed by Nigel Williamson in issue: August/2025
Danger
Originally released in 1976, Danger fuses Afrobeat, funk and psychedelic soul with biting political and social commentary sweetly delivered through...
Reviewed by Lucy Hallam in issue: August/2025
In the West
In the West, the third full-length release from Gabrielle Macrae (fiddle, guitar, bass, vocals) and Barry Southern (banjo, guitar, dobro,...
Reviewed by Doug Deloach in issue: August/2025
MVD LUV
Love – or rather, ‘LUV’ – is the operative word and it’s hard not to be enchanted (or occasionally irritated)...
Reviewed by Mark Sampson in issue: August/2025
