Erwan Keravec grew up in Brittany, but is a Scottish bagpiper, now resident in Rennes. He marches sternly between modern...
Reviewed by Martin Longley in issue: February/March/2026
‘Willie’s Lady’ tells the story of a new wife who has more than the usual difficulties with her mother-in-law, who...
Reviewed by Julian May in issue: February/March/2026
Singer and dance artist Bageshree Vaze’s eclectic new release is a mixed affair, though fans of Hindustani music will find...
Reviewed by James Rorison in issue: February/March/2026
Over the past decade, Gambian-born griot Suntou Susso has collaborated with his half-brother Seckou Keita, toured with his father Mamudou...
Reviewed by Tony Gillam in issue: February/March/2026
While Dutch outfit YĪN YĪN first made their name through an amalgam of psychedelic rock and Southeast Asian styles, their...
Reviewed by Paul Bowler in issue: February/March/2026
Mainly known as a trumpeter, but also a fine singer and santur specialist, the Iraqi-American Amir ElSaffar has been honing...
Reviewed by Martin Longley in issue: February/March/2026
Seventies folk provides the throbbing heart of the mighty Magpie Arc’s second full-length album, Gil Brenton. The title-track opens with...
Reviewed by Billy Rough in issue: February/March/2026
Emerging from the Congo, and flourishing even during that painful era when the country was renamed Zaire, African rumba became...
Reviewed by Robin Denselow in issue: February/March/2026
Stafell Sbâr Sain (Sain’s Spare Room) is a vibrant showcase of Welsh folk at its most diverse and inventive. Released...
Reviewed by Elliw Iwan in issue: February/March/2026
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