Silvana Estrada says she studied at a jazz conservatory so she could “use my voice as an instrument”, and with...
Reviewed by Robin Denselow in issue: December/2025
Yalla Miku, the brainchild of Beirut-born Bongo Joe founder Cyril Yeterian, is a group which brings musicians from North and...
Reviewed by Nigel Williamson in issue: December/2025
You don’t know what you’ve got ’til it’s gone. Perhaps in recent years, we grew guilty of rather taking for...
Reviewed by Nigel Williamson in issue: December/2025
Mhairi Hall & David de la Haye
A collaboration between composer Mhairi Hall and field recordist David de la Haye, Underwater Cairngorms combines sounds captured from below...
Reviewed by Tom Newell in issue: December/2025
After a decade of being The KutiMangoes, in 2022, the Denmark-based band rebranded as Sunbörn, vowing to “bring people together”...
Reviewed by Mark Sampson in issue: December/2025
This third record from Paris-based jazz quintet Theorem of Joy offers a bounty of searching compositions and stirring improv. Its...
Reviewed by Liam Izod in issue: December/2025
Kenneth Lien & Center of the Universe
Norway has a thriving and intriguing experimental folk scene, and multi-instrumentalist Kenneth Lien is one of its key exponents. I...
Reviewed by Robin Denselow in issue: December/2025
This is a classy album of Italian electro-folk from a trio that formed back in Caserta, north of Naples, in...
Reviewed by Robin Denselow in issue: December/2025
This is the debut album of Lucina Yue, a player of the Chinese harp, konghou. Mastered by multi-Grammy-winning engineer Alan...
Reviewed by Keith Howard in issue: December/2025
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