Reviews
Celestun
My Morning Jacket guitarist Carl Broemel and former Band of Horses lead guitarist Tyler Ramsey have apparently long intended to...
Reviewed by Glenn Kimpton in issue: February/March/2026
MANUŠA II
The Slovak jazz singer Júlia Kozáková continues her journey into the Romani music she holds dear. On MANUŠA II (Manuša...
Reviewed by Michał Wieczorek in issue: February/March/2026
Lodèr la vi
Since 2012, the group Saodaj from La Réunion has been following its own path, becoming one of the most emblematic...
Reviewed by Łukasz Komła in issue: February/March/2026
Rebuilding
Jake Xerxes Fussell & James Elkington
In a move away from their usual collaborative format (James has played on and produced Jake’s last two albums), these...
Reviewed by Glenn Kimpton in issue: February/March/2026
Vol.1: El Sueño Se Deshizo Para Siempre
This Belgian quartet are named after the Federico García Lorca sonnets that form the verbal heart of this repertoire. The...
Reviewed by Martin Longley in issue: February/March/2026
Living in the Light
Tommy Emmanuel wrote ‘Scarlett’s World’, the first single from Living in the Light, the Australian guitar wizard’s latest full-length album,...
Reviewed by Doug Deloach in issue: February/March/2026
The Other Place
Irish harper Aisling Urwin’s second solo album is a haunting, experimental and hypnotic listen that perfectly blends harp tradition with...
Reviewed by Billy Rough in issue: February/March/2026
Ambush
With Ambush, Latin jazz specialists In The Woods present a tight eight-track collection that revolves around the work of the...
Reviewed by Andrew Taylor-Dawson in issue: February/March/2026
Symphony of Self
Symphony of Self represents an incandescent display of talent and ambition from pipa maestra Gao Hong. Hong composes, arranges and...
Reviewed by Liam Izod in issue: February/March/2026
To Whom Ourselves We Owe
Adam Weikert was directed towards folk music as a form of social prescribing – a chance to engage with a...
Reviewed by Olivia Cheves in issue: February/March/2026
