Born to Haitian parents in New York and now a proud resident of the Big Easy, McCalla brings a bewildering...
Reviewed by Paul Slade in issue: February/March/2026
Ghanaian-German reggae singer Marvin Brooks returns with an album filled with the kind of sunshine vibes which can make a...
Reviewed by Clyde Macfarlane in issue: February/March/2026
The fourth album from the brothers Diarmuid and Brian MacGloinn and their collaborators is packed with fine melodies and great...
Reviewed by Robin Denselow in issue: February/March/2026
NAVA’s debut album, GABBEH, weaves heritage, introspection and exile into a lush, cinematic soundscape. Rooted in her Persian culture, the...
Reviewed by Joe Mulhall in issue: February/March/2026
Formed in London in 2010 by composer/bandleader Mak Murtić and Maja Rivić, Mimika Orchestra are an avant-garde jazz-world ensemble now...
Reviewed by Tim Cumming in issue: February/March/2026
Zal Sissokho & Laurent Perrault Jolicoeur
Straight ahead jazz and Mande music coalesce with glorious results on Racines, a collaboration between Canadian double-bassist Laurent Perrault-Jolicoeur and...
Reviewed by Doug Deloach in issue: February/March/2026
Some 25 years ago, everything was going electronic. Every musical genre was subjected to experiments with digital beats and instruments,...
Reviewed by GonÇalo Frota in issue: February/March/2026
In the English speaking world Vesna Pisarović might not be an household name, but in the post-Yugoslavian pop music scene...
Reviewed by Francesco Martinelli in issue: February/March/2026
Following a recent WOMEX showcase, 3PEOPLEMUSIC, a Taiwanese trio of traditional instruments – zither (guzheng), moon lute (zhongruan) and flutes...
Reviewed by Keith Howard in issue: February/March/2026
Sonico is the only ensemble in the world dedicated to the music of Eduardo Rovira. The bandoneonist was one of...
Reviewed by Gabriel Cócaro in issue: February/March/2026
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