Features
“I never had a teacher, but I would watch other percussionists” | Élage Diouf
Robin Denselow catches up with the Québec-based Senegalese singer-songwriter and drummer who has just released a new album
Robin Denselow catches up with the Québec-based Senegalese singer-songwriter and drummer who has just released a new album
Jane Cornwell speaks to Ethiopian-born American singer Meklit Hadero about returning to the songs of her homeland
Sufi and Jewish Music Nights take over the towering Elbphilharmonie concert hall in Hamburg
The Royal Albert Hall hosted a Diamond Jubilee celebration for His Highness the Aga Khan.
Ibrahim Maalouf has drawn on everything he’s learned during his stellar career to make what might be his crowning achievement, a homage to his ancestry that is more lyrical than any instrumental album can rightly claim to be
Oslo World festival kicked off with an emotional opening concert showcasing impressive performances from a host of female singers.
A Balkan folk feedback loop curves to Béla Bartók and back in Budapest’s impressively opulent hall…
Devon Léger speaks to Lihou, a group reviving the rich multicultural folk songs of the Channel Islands
Songlines attended Folk Alliance International, the ‘world’s largest folk music gathering’, in Montréal to receive a Lifetime Achievement Award and get lost in a hotel-spanning labyrinth of musical moments
Featuring new releases from Lara Wong and Melón Jiménez, Lily Talmers and more
A selection of essential releases from the US and Canada including new albums from Watchhouse, Justin Golden, Deerlady, Alexis Chartrand and Cyrille Aimée
For the fifth consecutive year, this November the Guinness Storehouse hosted a range of musicians – from The Mary Wallopers to Niamh Regan to Tolü Makay – for an evening rich in music, joy and warmth
Songlines’ editors Jo Frost and Simon Broughton select their favourite albums of 2017
In the centre of the Mediterranean, Malta sits between the European and Islamic worlds. That dual heritage is reflected in its Indigenous music, reports Simon Broughton, and it deserves to be better known
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