A Beginner's Guide
Toumani Diabaté: A Beginner’s Guide
The kora has become almost synonymous with the music of Mali. Nigel Williamson examines the career of its chief exponent Toumani Diabaté
The kora has become almost synonymous with the music of Mali. Nigel Williamson examines the career of its chief exponent Toumani Diabaté
Alan Gasser of Trio Kavkasia remembers his late mentor and friend, the Georgian singer, composer, and folk music researcher Anzor Erkomaishvili
The first-ever Songlines hit the shelves in early 1999, its genesis stemmed from a complaint about what constitutes ‘world music’. Here, current editor Russ Slater Johnson speaks to founding editor Simon Broughton about the magazine’s beginnings
We remember the life of jazz pianist Randy Weston, who did much to raise the awareness of Morocco's Gnawa music.
The Irish button accordionist from County Clare is known for her genre-crossing collaborations, taking traditional Irish music to places it’s never been before. Michael Quinn looks back over her impressive career
Emma Rycroft talks to Alasdair Roberts, Màiri Morrison and Pete Johnston about a ballad that travelled from Scotland to Nova Scotia
Laudan Nooshin reports on the revival of Iranian classical music since 1979 and Simon Broughton takes the pulse of the folk and pop scenes
The Malian singer-songwriter Habib Koité is also one of his country’s leading guitarists. Daniel Brown reflects on the artist’s recordings and career to date
The 'King of the Epirus clarinet' has passed away at the age of 90
“We are interested mostly in what is not present in the global classification of genres”
Ula Nowak visits İzmir in Turkey to speak to the musicians reviving rebetiko in a city that claims to be its birthplace. Photos by Ula Nowak
Pleasure, pain and poetry – the ‘Queen of Fado’ gave Portugal its soundtrack during a turbulent 20th century. Chris Moss looks back over Amália’s career
Ian Brennan on why the Grammys’ ‘Global’ music isn’t truly global
If there was one sound emblematic of Armenia it would be the duduk. Simon Broughton appraises the career of the instrument’s most famous exponent who has just turned 90
Laudan Nooshin reports on the revival of Iranian classical music since 1979 and Simon Broughton takes the pulse of the folk and pop scenes
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