Features
The Rough Guide to World Music: Kenya
The life and times of Kenyan pop, introduced by Doug Paterson
The life and times of Kenyan pop, introduced by Doug Paterson
The life and times of Kenyan pop, introduced by Doug Paterson
Mary Farquharson marvels at the career of the much-loved former Buena Vista Social Club musician who is still highly influential today
Alan Gasser of Trio Kavkasia remembers his late mentor and friend, the Georgian singer, composer, and folk music researcher Anzor Erkomaishvili
Garth Cartwright travels to Bucharest to preview the revitalised and reformed Romanian Gypsy band, Taraf de Haidouks, who are making their UK debut as Taraf de Caliu, alongside Impex
We remember the life of jazz pianist Randy Weston, who did much to raise the awareness of Morocco's Gnawa music.
This is Part 2 of our A to Z of 50 Rhythms of the World, from Nongak to Zouk. Discover a whole world of music through the rhythms that bring it to life....
A key artist in the development of Algerian chaabi and rai music, Maurice El Médioni, the boogie-woogie maestro, has passed away
The first-ever Songlines hit the shelves in early 1999, its genesis stemmed from a complaint about what constitutes ‘world music’. Here, current editor Russ Slater Johnson speaks to founding editor Simon Broughton about the magazine’s beginnings
The Irish button accordionist from County Clare is known for her genre-crossing collaborations, taking traditional Irish music to places it’s never been before. Michael Quinn looks back over her impressive career
The kora has become almost synonymous with the music of Mali. Nigel Williamson examines the career of its chief exponent Toumani Diabaté
The Malian singer-songwriter Habib Koité is also one of his country’s leading guitarists. Daniel Brown reflects on the artist’s recordings and career to date
If there was one sound emblematic of Armenia it would be the duduk. Simon Broughton appraises the career of the instrument’s most famous exponent who has just turned 90
“We are interested mostly in what is not present in the global classification of genres”
Pleasure, pain and poetry – the ‘Queen of Fado’ gave Portugal its soundtrack during a turbulent 20th century. Chris Moss looks back over Amália’s career
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